More production stills from "Velocity"

Here are some photographs taken by Lillie Harden and converted to b&w by me. From our second night shooting in the 301 Gallery.

"Volocity" production shots

I am shooting a film the 301 Gallery space at Montserrat College of Art during the month of June.

I will be documenting the set construction, lighting and shooting as the project progresses over the summer.

New Partnership Reimagines Documentary Storytelling on the Web

New Partnership Reimagines Documentary Storytelling on the Web

Super-8 Project Part 1

The One Roll super-8 project is up in it's first version.  Untitled on Vimeo
I am reshooting the titles to include the music credit to Jon Bolles. What is apparent is that the two characters have moved into some dimension of time that is not this one. I have suggested to Amy Moore and Grant Archer that they both think about the next film.

These are the rules that I have form myself on this next project;
16mm
black and white
One roll, 3:40 running time
Time goes forward and back
Grant has sent me a poem by Lucy Larcom, a 19th centrury poet from Beverly who may have travelled in time as well.

Number Two; still from 8mm circa 1969

Screen grabs from the 8mm footage I shot in Kutztown in 1968-69.

I am on the left and James Reinbold is on the right. Both images were shot at the 168 /w. Main Street address. For a film called Number Two.

1970 8 mm films

Found these films last summer. They make me a bit sad for all of the loss that they represent to me. My response is to telecine them and make a film about all that.

THE "ARDELLE"

This is a 16mm film document of the construction of a 19th century Pinkie style schooner at Harold Burnham's boatyard in Essex Mass.
I'm not sure just what I am going to do with this footage but I am fascinated by the community that formed around the work that needed to be done.